Trapunto and Cording

Blue Linen Flowers - flower closeup.

Blue Linen Flowers - heart and flower closeup.

Blue Linen Flowers

I have wanted to try both cording and trapunto for some time now. I remember, as a child, my mother making a trapunto rabbit, encircled in an Art Nouveau style quilted circle, on a cushion. It appealed to me so much that the memory remains very strong, and I have retained a desire to work with trapunto. However the first thing is to try it. So I embarked on Blue Linen Flowers (six inches by six inches).

The flowers and hearts are have both been filled with a little filling via incisions from behind. I found it difficult to evenly distribute the filling and they are still quite lumpy. I think one needs patience to insert only very small amounts of filling. I am not sure the best filling to use either - I used white polyester soft toy stuffing, I thought it would be alright but it is very springy. Maybe something a bit denser would be better, perhaps pieces of soft cotton fill. That may be even more lumpy though.

I really enjoyed the cording. I stitched one line of stitching first, then lay the cord alongside and stitched it in place. That way I didn't have to thread it through and worry about getting around corners.  It looks great encased in the linen, with the stitches on either side, and forms a good border around the trapunto flowers and hearts.

At close of weekend needle I was about halfway through some more exploratory stitch and fabric work that I can't wait to post.

Happy stitching everyone, Gilly

Cloth of Hearts

Cloth of Hearts

I thought I would make a Cloth of Hearts for my husband for Valentine's Day. I felt I needed to because, on Robbie Burns Day a couple of weeks ago, after bringing me a morning cup of tea, he stood stationary at the end of the bed for a few moments then launched into a recital of 'My Love is Like a Red, Red Rose... which he had learned by heart for just this occasion! Of course I was teary and laughing all at once; and so happy all day. So you perhaps can see why I felt I needed to make a Cloth of Hearts! This cloth has a bit of a heraldic feel, which is what I may work further on before Valentine's Day arrives. I wanted this feel, maybe a portion of a knights banner... well my husband truly is my shining knight! This theme fits well with the poem I have for him - I know a few lines by heart - The Lady of Shallot by Alfred Lord Tennyson. A sad tale but such a wonderful love story with weaving included!

I made my first attempt here at Prairie Points which I first saw on Deanna's site and thought they were just lovely with her rolled edges and she kindly sent me the instructions. Thanks Deanna!

At close of needle I had attached the tassels to Cloth of Hearts to have a look at it overall and see what needs doing to complete it.

Happy stitching everyone, Gilly

From Patches into Needlebook

Needlebook

Open Needlebook

Welcome to today fellow storycloth makers.

 I have moved to Stage Two for Doors and Windows, morphing it into a Needlebook. Hopefully it will be a doorway into the many windows of stitching joy for its new owner. The Exercise in Patches from last post felt so good in my hands - sturdy, textured and substantial - definitely a tactile piece - that I wanted to do something with it that would maximise the 'feel-good' aspect which is perhaps the best part of creating storycloth. Afterall it is in the mutliple feelings that story becomes story. So, considering its dimensions and feel, I decided that a Needlebook would be best. I am no expert on making tassels and if anyone has any hints I would be MOST grateful.

At close of weekend needle I was holding this in my hand, opening it, closing it, turning the 'pages', passing it to my husband to open it and feel it. Looking at it open, looking at it closed... gently squeezing it - well you get the picture. It was just great!

Happy Stitching everyone, Gilly

Doors and Windows: An Exercise in Patches

Doors and Windows

Doors and Windows is an exercise in combining stitches and patches of linen. I have always loved the notion of mending and patches, the feel of old, soft fabric with rows and rows of stitches running through it, keeping an item whole. I love the thought of such care for an object, the simplicity and frugality that leads people to mend items - either out of necessity or love, or both. I have good memories in this regard - of my Nana darning socks and teaching me the rhythm of  backwards, forwards and cross ways stitches. I also remember as a young girl mending a little brown velvet dog called 'Brownie' that belonged to my younger brother. It was bought for him at a local fete in someone's backyard, if I remember correctly. I often think about 'Brownie', the feel of the soft brown velvet, the couple of black thread stitches that formed his pointy nose, and my little brother watching, saying thank you. Sewing and stitching life. One day I will try to replicate 'Brownie' - just a lovely little pocket size dog. Soft.

Referencing Nana again, (how important are Nanas in our lives!!) - Nana liked the saying ''if something is worth doing it is worth doing well'. I think my process of making Doors and Windows was done 'well'. I made notes and sketches, took time and care with the stitching. I thought about textures and colours, experimented. I re-stitched where necessary. Overall I am happy with the result. I wonder what might lie behind the doors and windows if I could just open them and peek. But, I think most importantly, I am very happy with my process. I loved every thorough second of it.

At close of needle last night I put final stitches in Doors and Windows and dreamily planned my next storycloth while watching the Australian Open Tennis on TV. It occurs to me that the wonderful 'put'....'put'... rhythm of tennis balls being hit is akin to the deep, comforting rhythm of stitches in process.

Happy stitching, Gilly

Linen Flowers

Linen Flowers

It has taken awhile to get this to this point. I have had one of those 'freezing' experiences where I was too scared (to be blunt) to take a risk with background stitches. I 'ummed and arred' about adding a butterfly, and whether to have coloured circles in the four bottom squares. In short I was not making progress. Except, hahaha, if you count getting to this point, of admitting my fear of risk taking, as making progress of sorts. Well I think it probably is progress of sorts because finally yesterday I thought to myself:  'Hey Gilly this was supposed to be only an exercise right from the beginning - just a design exercise and experiment using only linens'. This freed me up to do the background stitching. Afterall it is the only way to really experiment with different effects.

I have not planned to forever leave a cross-stitch off the bottom left hand square - I am just experimenting. (Ha!) I wonder if the omission balances the overall design somewhat. Also I am not sure whether to make the nine sideways stitches on top right into full cross stitches.

Anyway overall I have achieved my goal of working just with really lovely fabric - these beautiful washed out linen colors are from old table napkins. It is also backed in the same soft linen which makes the whole cloth a very pleasing weight. I am not sure what a book mat is, but it occurred to me that this a good size to lay my reading glasses on when I don't need them for a moment.

So...at close of needle last night I had put the three bottom cross stitches in and decided to post as is, looking forward, as always, to any observations and ideas from my online friends!

Happy Stitching , Gilly

New Year Bookmark

Sunny Flowers

Welcome to this New Year of 2011. I am back now in normal mode having recovered from the worst jet lag I have experienced to date! Our holiday period was fantastic with some great family get-togethers and lots of games with my grandsons. I think all the little storycloth presents were well received. It certainly gave me satisfaction to give them. It was not a warm few weeks in Australia but we did get to the beach once and have returned to Winter here with a slight tan.

I made this bookmark around New Years Eve in the midst of post travel dizziness. I am using it myself and derive pleasure everytime I take it out of the book I am reading, put it back in, or just notice the flowers poking out of the book as I walk past. The black fabric is some sort of grosgrain tape that I had lying around - it feels a little synthetic and I won't use it again. But the overall effect is very cheery and striking.

I made a minor New Year's resolve pertaining to clothwork. After I had finished the Sunny Flower's bookmark and realised that the feel of the tape was not that pleasing I decided that this year I will not use any fabric that I know will detrimentally effect the completed article. As a consequence I began work on a small linen storycloth, the first piece for 2011, using a similar flower theme as the bookmark but in different colours. I will post this as soon as it is completed.

I have also been thinking about another perspective on creating storycloths. This time inspired by my four year old grandson. He constructs very complex lego designs using book length instruction guides. He will not budge on replacing the exact required piece with another, rather he will search for the 'right' piece. He knows every piece of lego in his enormous collection. He describes his process like this: "I always follow instructions". As he grows older he may become more flexible, which I am sure he would be even now in an emergency! But his approach, and his dedication to his approach, gives me cause for contemplation as I have always been the opposite. I have historically felt constrained by instructions, thinking that I am not being creative if I follow them. But I have realised that there is a place for deriving satisfaction from following instructions well. Doing something 'right'. Firmly establishing a base of knowledge and experience from which I can later experiment. I mean, in the case of recipes for example, there is something to be said for following an expert's recipe closely, being able to repeat a wonderful culinary experience time and time again. Likewise, perhaps, following cloth making instructions from an expert, from someone who knows how to make certain effects with cloth, is manifestly satisfying. For me, maybe creativity can be found in the dedication to learning an art well, humbling myself enough to learn deeply, exactly, thoroughly from another.

At close of needle yesterday I had outlined the vase on my first storycloth for 2011.

Happy stitching everyone. I will be getting around to blogs in the next few days. Thankyou for the comments on my last post for 2010. It is really great  to read over them.

Gilly

Sneak Preview

2010 Gifts for my Family. From Top Left to right: A Call to Gather, Two Rabbits Gambolling in Summer Flowers, Last Berries in Summer (x2), Sunday Evening, Two Angels with Goodnight Wishes, Two Bears Floating, Crossing Paths Homeward.

I have been very busy over the last week or so (thanks for noticing Nan) writing final papers for my study as well as finishing these storycloths. Well, I haven't quite finished them but as I will not be able to post now until the New Year I wanted to put them up to show. As you can see I have finished the second bear cloth as well as made changes to the original Last Berries in Summer. I was not happy with the colors and depth of tone and it took quite a bit of work for me to be relatively content. In fact, the bears have now become one of my favourites. It probably helps that I have completed all the final surface stitching on this pair. Oh, that was a really satisfying process. I can't wait now to work further on some of the others pictured. I am also very glad that I persevered with changing aspects of the bearcloths because I very nearly gave up. But, as perhaps you might agree, they convey a sort of charm now. The other newy is the rabbit storycloth. It is called Two Rabbits Gambolling in Summer Flowers. To my mind, it is full of fun and  happy Summer-y movement. One other positive alteration is in the bottom cloth, Crossing Paths Homeward. You may recall that I was not happy with the original darker moon. I think the new moon is much more in keeping with the subtle tones of watery twilight.

I want to express the depth of satisfaction that making these cloths over the past few weeks has given me. I began working on small cloth, following examples and hints in Janet Bolton's Patchwork Folk Art, when I realised I needed some clear structure with which to begin to find my own voice in cloth. I am so glad I did. I would never have thought I would find satisfaction in this sort of design work. I have always had a propensity for just letting anything and everything roll out of me. I have enjoyed this so much that I will continue in this way for the moment. Next year I hope to take some of judes Whispering Classes and it will be interesting to see what happens with my creative journey then. I love jude's work, and derive immense enjoyment from reading, and interacting with, her blog.

So, in appreciation at this time of the year it is appropriate to say thanks to the chief sources of my inspiration, my Mum, who sent me Janet's book, Janet Bolton and jude, as well as my blogging friends with without whom my storycloth world would be significantly less rich.

At close of needle last night after stitching for hours, I pinned all my gift cloths up ready for the photo this morning. Now I will take them down to pack for Christmas.

Wishng you all a peaceful holiday stitching season, Gilly