Cloth Coil Basket

Cloth coil basket - eight inches diameter.

I have spent all my spare time over the last couple of days making this cloth coil basket. I have always loved these baskets and have not tried making one until now. It was very enjoyable. Quite addictive. So therapeutic! I learnt a lot from trying different techniques throughout the construction. It is basically covered cord that is bound and then built using a figure of eight woven stitch. I used tightly woven fabric that I found at an Op-shop. It has lovely clear colours which are refreshing after a grey and white, but mainly grey, Winter.

I want to start another one immediately to practise what I have learnt. I want to improve the beginnings and endings of construction. I think I will make a cloth flower and bead configuration to cover the too abrupt ending on the right hand side of the bottom picture.

At close of needle I had almost finished the embroidered garden that I spoke of last post. Very nearly finished!

Happy stitching everyone, Gilly.

Postscript: The modifed basket looks better - not too fussy?

Closeup - not great lighting.
 

Bright Flowers

Bright Flowers

I tried some different techniques with fabric in Bright Flowers (9" by 6"). I like the contrasting textures; and the overall feel of flowers nearly at their peak before dropping. These cheer me up in the midst of our World's Japanese horror. I hope it cheers you up a bit too.

At close of needle I was working on a formal garden worked mainly in textured embroidery. Again I am trying new stitches. It is looking a bit wonky so far. I need an embroidery hoop I think. I am treating it as sampler for new stitch work and so give myself permission to have it a bit wonky! If it is not too bad I will post it soon.

Happy stitching everyone, Gilly

The Water Garden

The Water Garden

The Water Garden: detail imitation tablet weaving (blue and brown stitching)

The Water Garden: detail Bayeux Stitch top right.

The Water Garden (9 x 9 inches) is a symmetrical design made on a backing of woven linen/silk fabric.  I am fascinated by pattern and symmetry; and the idea of a water garden is a very satisfying outlet for this passion. I had not done bead work, or most of these stitches before so it has been a wonderful time of exploration for me. Different levels of fabric or felt (central fountain) create some interest. I have incorporated into my overall design stitch work from Jan Masset's book Celtic, Viking and Anglo-Saxon Embroidery. This book was a surprise gift for me and, as is often the way with such gifts, is rich and inspiring.

My mind is full of ideas that have sprung from making this storycloth. I can imagine myself there sitting by the central fountain and being aware of the sight and sounds of the four smaller surrounding water features (Bayeux Stitch). The glimmer of the beads and gold thread, in a regular pattern yet of random shape and colour, gives me a sense of balance between nature and imposed design. A harmony that often does not work, but in the case of small organised 'knot' type gardens does, I think, work beautifully.

At close of needle I had prepared the final backing cloth for The Water Garden ready for stitching and then hanging.  My next project will be another 'garden' and more exploration of stitches and textures.

Happy stitching everyone, Gilly

Trapunto and Cording

Blue Linen Flowers - flower closeup.

Blue Linen Flowers - heart and flower closeup.

Blue Linen Flowers

I have wanted to try both cording and trapunto for some time now. I remember, as a child, my mother making a trapunto rabbit, encircled in an Art Nouveau style quilted circle, on a cushion. It appealed to me so much that the memory remains very strong, and I have retained a desire to work with trapunto. However the first thing is to try it. So I embarked on Blue Linen Flowers (six inches by six inches).

The flowers and hearts are have both been filled with a little filling via incisions from behind. I found it difficult to evenly distribute the filling and they are still quite lumpy. I think one needs patience to insert only very small amounts of filling. I am not sure the best filling to use either - I used white polyester soft toy stuffing, I thought it would be alright but it is very springy. Maybe something a bit denser would be better, perhaps pieces of soft cotton fill. That may be even more lumpy though.

I really enjoyed the cording. I stitched one line of stitching first, then lay the cord alongside and stitched it in place. That way I didn't have to thread it through and worry about getting around corners.  It looks great encased in the linen, with the stitches on either side, and forms a good border around the trapunto flowers and hearts.

At close of weekend needle I was about halfway through some more exploratory stitch and fabric work that I can't wait to post.

Happy stitching everyone, Gilly

Cloth of Hearts

Cloth of Hearts

I thought I would make a Cloth of Hearts for my husband for Valentine's Day. I felt I needed to because, on Robbie Burns Day a couple of weeks ago, after bringing me a morning cup of tea, he stood stationary at the end of the bed for a few moments then launched into a recital of 'My Love is Like a Red, Red Rose... which he had learned by heart for just this occasion! Of course I was teary and laughing all at once; and so happy all day. So you perhaps can see why I felt I needed to make a Cloth of Hearts! This cloth has a bit of a heraldic feel, which is what I may work further on before Valentine's Day arrives. I wanted this feel, maybe a portion of a knights banner... well my husband truly is my shining knight! This theme fits well with the poem I have for him - I know a few lines by heart - The Lady of Shallot by Alfred Lord Tennyson. A sad tale but such a wonderful love story with weaving included!

I made my first attempt here at Prairie Points which I first saw on Deanna's site and thought they were just lovely with her rolled edges and she kindly sent me the instructions. Thanks Deanna!

At close of needle I had attached the tassels to Cloth of Hearts to have a look at it overall and see what needs doing to complete it.

Happy stitching everyone, Gilly

From Patches into Needlebook

Needlebook

Open Needlebook

Welcome to today fellow storycloth makers.

 I have moved to Stage Two for Doors and Windows, morphing it into a Needlebook. Hopefully it will be a doorway into the many windows of stitching joy for its new owner. The Exercise in Patches from last post felt so good in my hands - sturdy, textured and substantial - definitely a tactile piece - that I wanted to do something with it that would maximise the 'feel-good' aspect which is perhaps the best part of creating storycloth. Afterall it is in the mutliple feelings that story becomes story. So, considering its dimensions and feel, I decided that a Needlebook would be best. I am no expert on making tassels and if anyone has any hints I would be MOST grateful.

At close of weekend needle I was holding this in my hand, opening it, closing it, turning the 'pages', passing it to my husband to open it and feel it. Looking at it open, looking at it closed... gently squeezing it - well you get the picture. It was just great!

Happy Stitching everyone, Gilly

Doors and Windows: An Exercise in Patches

Doors and Windows

Doors and Windows is an exercise in combining stitches and patches of linen. I have always loved the notion of mending and patches, the feel of old, soft fabric with rows and rows of stitches running through it, keeping an item whole. I love the thought of such care for an object, the simplicity and frugality that leads people to mend items - either out of necessity or love, or both. I have good memories in this regard - of my Nana darning socks and teaching me the rhythm of  backwards, forwards and cross ways stitches. I also remember as a young girl mending a little brown velvet dog called 'Brownie' that belonged to my younger brother. It was bought for him at a local fete in someone's backyard, if I remember correctly. I often think about 'Brownie', the feel of the soft brown velvet, the couple of black thread stitches that formed his pointy nose, and my little brother watching, saying thank you. Sewing and stitching life. One day I will try to replicate 'Brownie' - just a lovely little pocket size dog. Soft.

Referencing Nana again, (how important are Nanas in our lives!!) - Nana liked the saying ''if something is worth doing it is worth doing well'. I think my process of making Doors and Windows was done 'well'. I made notes and sketches, took time and care with the stitching. I thought about textures and colours, experimented. I re-stitched where necessary. Overall I am happy with the result. I wonder what might lie behind the doors and windows if I could just open them and peek. But, I think most importantly, I am very happy with my process. I loved every thorough second of it.

At close of needle last night I put final stitches in Doors and Windows and dreamily planned my next storycloth while watching the Australian Open Tennis on TV. It occurs to me that the wonderful 'put'....'put'... rhythm of tennis balls being hit is akin to the deep, comforting rhythm of stitches in process.

Happy stitching, Gilly